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Dalian Mirage(series), 2017-2019
With Dalian’s modern history as its background, Luka Yuanyuan Yang’s project Dalian Mirage is a “seven-act” play is presented in a theatre set of the city through multiple media including photography, installation, video and sound. Characters of different times are passing through distinctive urban spaces such as harbour, staircase, square, hotel, street and theatre. In the world of Dalian Mirage, the boundaries of times and nations have blurred, viewers could walk freely as if being within the parallel time and space of the past and the present. Among the fragmented monologues of various “foreigners”, there is an unfathomable question that echoes throughout hundreds of years – “what is ‘home’”? 
This exhibition is first conceived from a series of photographs. The silhouettes in these images from the past awaited for careful identification, with which we may arrive at different destinations with the compass of time, and encounter with those people hidden within them, meanwhile, the functions and properties of the various urban spaces from different historical periods surface throughout this process. In this spatial montage Yang Yuanyuan has constructed, time and space overlap in various ways, even the fate of complete strangers seem to connect as they come into it, and discover the same sentimentalities and memories they have in common of the same city. Every moment from the past, a fragment of reality, constitutes the world at this moment. Stepping on the stairs to the central stage in the exhibition space and passing through the layers of curtains, one comes into the time theatre Yang Yuanyuan mounts: it opens with the monologue of a Japanese writer born in Dalian; a round public square shot at dawn gradually emerges into the various narratives of a few characters; the images then takes the viewer into the Yamato Hotel, an establishment has weathered hundreds of years history, under the blazing morning sun in Dalian; at noon, in the dining hall of the Yamato Hotel, the two clocks at the front seem to string multiple moments into a trance; the first building of this city meets the eye at noon; in the afternoon, a stroll through various streets; with the arrival of dusk, one comes to the Tokiwaza theatre on Chain-Shop Street; looking out to the sea in darkness, one waits for dawn to arrive in the mirage at the Dalian port. Yang Yuanyuan hopes to take the viewers along with these ten characters of the play, to experience the city at different times of a day, that seem to merge into an endless cycle.