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	<title>Photography &#8211; Luka Yang Studio</title>
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	<link>https://www.lukayangworks.com</link>
	<description>杨圆圆</description>
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	<url>https://www.lukayangworks.com/wp-content/uploads/2021/04/cropped-yuanyuan-logo-small-1-32x32.png</url>
	<title>Photography &#8211; Luka Yang Studio</title>
	<link>https://www.lukayangworks.com</link>
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	<item>
		<title>Theater of Crossed Roads: A Night at Forbidden City Nightclub</title>
		<link>https://www.lukayangworks.com/portfolio-item/forbidden-city-nightclub/</link>
					<comments>https://www.lukayangworks.com/portfolio-item/forbidden-city-nightclub/#respond</comments>
		
		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Sat, 18 Mar 2023 02:15:46 +0000</pubDate>
				<guid isPermaLink="false">http://localhost/wordpress/?post_type=portfolio-item&#038;p=9560</guid>

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			<h2><strong>《交错剧场：紫禁城夜总会的一夜》</strong></h2>
<h3><strong>Theater of Crossed Roads: A Night at Forbidden City Nightclub</strong></h3>

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			<h5><strong>2019，单频彩色高清有声录像，40’24”</strong></h5>
<p>出演：Grant Avenue Follies, Coby Yee and Stephen King</p>
<p>剪辑：杨圆圆、庞玉红</p>
<p>第三幕剧本作者：Chuck Gee and Gum Ting</p>
<p>作品衍生自杨圆圆的正在进行中的电影长片《女人世界》，由影像装置与现场表演构成，表演于2019年9月12日-9月14日发生在上海外滩美术馆的RAM HIGHLIGHT，此次展出影像部分作品，表演者包括旧金山华埠夜总会的退役舞者余金巧（Coby Yee）与她的爱人/搭档史蒂芬·金，以及由退役舞者方美仙成立的舞蹈团体都板街舞团（Grant Avenue Follies）。作品名源于都板街舞团策划的一出晚餐剧“紫禁城夜总会的谋杀”。</p>
<p>&nbsp;</p>
<h5>2019, Single-channel HD video, colour, sound, 40 min 24 sec”</h5>
<h6>Featuing: Grant Avenue Follies, Coby Yee and Stephen King</h6>
<h6>Edited by Luka Yuanyuan Yang and Yuhong Pang</h6>
<h6>Script of Scene 3 written by Chuck Gee and Gum Ting</h6>
<p>The video work<i> </i>is from a project derived from Luka Yuanyuan Yang&#8217;s feature film <i>Women’s World</i>, composed with video, installation and live performance. The performance took place during September 12th &#8211; September 14th, 2019 at Rockbund Art Museum’s RAM HIGHLIGHT 2019, featuring Coby Yee, a 93-year old dance icon from San Francisco Chinatown, with her lover/dance partner Stephen King, and Grant Avenue Follie &#8211; a senior dance troupe founded by a retired nightclub dancer Cynthia Yee. The title is inspired by dinner play <i>Murder of the Forbidden City Nightclub</i> produced by Grant Avenue Follies.</p>
<h6>.</h6>
<p>&nbsp;</p>

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			</item>
		<item>
		<title>Exhibition &#124; Make it Home</title>
		<link>https://www.lukayangworks.com/portfolio-item/make-it-home-exhibition/</link>
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		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Fri, 17 Feb 2023 12:08:49 +0000</pubDate>
				<guid isPermaLink="false">https://www.lukayangworks.com/?post_type=portfolio-item&#038;p=13740</guid>

					<description><![CDATA[造乡 – 杨圆圆个展 时间：2022年11月25日 – 2023年1月3日 地点 [&#8230;]]]></description>
										<content:encoded><![CDATA[<h4 class="p1"><span class="s1">造乡 – </span>杨圆圆个展</h4>
<h4 class="p2"><span class="s2">时间：</span>2022<span class="s2">年</span>11<span class="s2">月25</span><span class="s2">日</span> – 2023年1<span class="s2">月3</span><span class="s2">日</span></h4>
<h4 class="p1">地点：集美阿尔勒发现奖</h4>
<h4>策展人：祝羽捷</h4>
<h4 class="p2">Make it Home (Solo Exhibition)</h4>
<h4 class="p2">Dates: November 25, 2022 to January 3, 2023</h4>
<h4 class="p2">Venue: Jimei X Arles Discovery Award</h4>
<h4>Curator: Tutu Zhu</h4>
<p>&nbsp;</p>
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		<item>
		<title>Archive</title>
		<link>https://www.lukayangworks.com/portfolio-item/archive/</link>
					<comments>https://www.lukayangworks.com/portfolio-item/archive/#respond</comments>
		
		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Fri, 17 Feb 2023 12:04:33 +0000</pubDate>
				<guid isPermaLink="false">https://www.lukayangworks.com/?post_type=portfolio-item&#038;p=13723</guid>

					<description><![CDATA[]]></description>
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			<h2>Archive</h2>

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			<p>选自于“造乡”个展，影像作品相关档案</p>
<p>All archives shown here are related to the films shown in the exhibition &#8220;Make it Home”</p>

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<p>&nbsp;</p>
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			</item>
		<item>
		<title>Photography</title>
		<link>https://www.lukayangworks.com/portfolio-item/makeithome-photography/</link>
					<comments>https://www.lukayangworks.com/portfolio-item/makeithome-photography/#respond</comments>
		
		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Fri, 17 Feb 2023 11:46:46 +0000</pubDate>
				<guid isPermaLink="false">https://www.lukayangworks.com/?post_type=portfolio-item&#038;p=13698</guid>

					<description><![CDATA[]]></description>
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			<h2>Photography</h2>

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			<p>选自于“她乡舞曲”系列的摄影作品</p>
<p>All works shown here are from the series &#8220;Dance in Herland&#8221;</p>

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<p>&nbsp;</p>
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		<item>
		<title>Photography</title>
		<link>https://www.lukayangworks.com/portfolio-item/blue-window-two-roses-photography/</link>
					<comments>https://www.lukayangworks.com/portfolio-item/blue-window-two-roses-photography/#respond</comments>
		
		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Wed, 03 Feb 2021 10:13:18 +0000</pubDate>
				<guid isPermaLink="false">http://192.168.2.107/wordpress/?post_type=portfolio-item&#038;p=10593</guid>

					<description><![CDATA[所有作品均选自于《浪漫之旅》系列（2016），如需完整作品集，可联系艺术家或AIKE画廊

All photograph works shown here are selected from “Blue Window, Two Roses” series (2016). To request a complete portfolio, please contact the artist or AIKE Gallery]]></description>
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			<h2>Photography</h2>

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			<p>所有作品均选自于《浪漫之旅》系列（2016），如需完整作品集，可联系艺术家或AIKE画廊</p>
<p>All photograph works shown here are selected from “<strong>Blue Window, Two Roses</strong>” series (2016). To request a complete portfolio, please contact the artist or AIKE Gallery</p>
<p>&nbsp;</p>

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<p>&nbsp;</p>
<p></div></div></div></div>
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		<item>
		<title>浪漫之旅｜Blue Window, Two Roses</title>
		<link>https://www.lukayangworks.com/portfolio-item/blue-window-two-roses/</link>
					<comments>https://www.lukayangworks.com/portfolio-item/blue-window-two-roses/#respond</comments>
		
		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Tue, 02 Feb 2021 10:53:27 +0000</pubDate>
				<guid isPermaLink="false">http://192.168.2.107/wordpress/?post_type=portfolio-item&#038;p=10571</guid>

					<description><![CDATA[「On The Shipwreck」

2013-2017, mixed media

On The Shipwreck began in November 2013 with a series of performances conducted at an abandoned office building located on the outskirts of Beijing; the project finished in 2017 after the destruction of the building. The project is divided into five parts: Arrival (2013), Conversation (2013-2014), Bus Route 586 (2014-2016), Towards Epilogue (2015-2016) and Disappearance of the Shipwreck (2016-2017). The project is presented as a mixed-media archive that includes photography, video and text. The central idea is to explore the complex relationship between the individual and the city surroundings within the current dynamic social environment.]]></description>
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		Exhibition Views	</h4>

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		Photography	</h4>

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		Book	</h4>

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			<h4>《浪漫之旅》，2016</h4>
<p><strong>混合媒介装置（数字微喷摄影，数字微喷墙纸，数字微喷透明胶片，广告架，广告版，照相机器，绿色幕布，相机，打印机，屏幕），<i>2016</i>年</strong></p>
<p>&nbsp;</p>
<p>“绿幕照相馆”是过去十余年内在中国涌现出的一种新型创业模式，一块绿色的背景布与一台装有内置镜头的机器构成商铺的主体。消费者可以选择上万种风格各异的背景图像：从各地名胜到明星写真，从卡通背景到到高端小区的3D制图，面对着荧幕上虚拟的理想之地，获得一张“到此一游”的照片。</p>
<p>其中，国际知名景区与一切具有“欧式风情”的画面是最受欢迎的背景选择；而在现实生活中，同类景观在过去十余年内亦在中国大陆变得普遍。两类“人为构建的现实”(constructed realities) 映照出当下国人普遍向往的一种理想生活，就如同我们渐渐趋同化的城市景观，这种“理想生活”的愿景也变得越来越相似，它们华美而虚幻，在巨大的气泡中的闪着金光。</p>
<h4><strong>「</strong><b>Blue Window, Two Roses</b><strong>」, 2016</strong></h4>
<p><i>mixed media installation (digital print on photo paper, digital print on wall paper, digital print on transparent film, advertisement board,  advertisement stand, photo machine, green canvas backdrop, camera, digital printer, mini-iPad) , 2016</i></p>
<p>&nbsp;</p>
<h6>“Green screen photo studio” is a new business mode that appeared in China during the past 10 years. The store simply consists of a green background and a machine with inserted camera. The costumers could choose their preferred backgrounds from more than ten thousands images &#8211; from worldwide tourist sites to celebrity portraits, from cartoon characters to 3D effect images of luxury residential areas. Facing their illusionary ideal places on the screen, the costumers happily stand and pose in front of a green screen, and receive a photo showing that they “have been” there.</h6>
<h6>Among all the background images, those of world famous tourist sites and of European styles are the most popular choices. Whereas in reality, this same type of landscape has also became common scenes all over Mainland China in the past ten years. Both the virtual backgrounds from the “Green screen photo studio” and the real buildings in our real world – these two types of “constructed realities” both reflect an ideal lifestyle of this era that generally yearned for by most people with different backgrounds. They are resplendent yet unreal, shining like gold in giant bubbles.</h6>
<h6>.</h6>

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		<title>在视线交错之处 ｜ At the Place of Crossed Sights</title>
		<link>https://www.lukayangworks.com/portfolio-item/crossed-sights/</link>
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		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Mon, 01 Feb 2021 15:00:44 +0000</pubDate>
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					<description><![CDATA[《在视线交错之处》（系列）, 2015-2016，数字微喷摄影、小说、多种档案、混合材料
「At the Place of Crossed Sights」(series), 2015-2016, digital prints, novel, archival documents, mixed media]]></description>
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			<h5><strong>《在视线交错之处》（系列），2015-2016</strong></h5>
<p><strong>数字微喷摄影、小说、多种档案、混合材料</strong></p>
<p>《在视线交错之处》的故事背景为巴西南部城市阿雷格里港。以几位在不同年代曾工作生活于此或短暂停留的摄影师为核心的调研线索，艺术家展开了一系列结合真实资料与虚构叙事的创作，通过对多个角色个体经验的研究与描述，意图探索在摄影史的进程中，摄影师、照片、城市、记忆、迁徙等多个元素之间错综复杂的关系。<span class="Apple-converted-space"> </span></p>
<p>作品包含两个主体部分: 一本包含数个短篇故事的小说集,以及一系列与小说文本有着互文关系的、以摄影为主体的作品。《在视线交错之处》(上篇) 由以下五个篇章构成：《一封写于1975年的信》；《T的相册》；《三个与“异域的中国” 有关的片段》；《一篇以1863年的杀人案为起点展开的写作(一个小说家对摄影的思考)》；《摄影师与陌生人》。<span class="Apple-converted-space"> </span></p>
<h5><strong>「At the Place of Crossed Sights」(series), 2015-2016</strong></h5>
<p><strong>digital prints, novel, archival documents, mixed media</strong></p>
<h6>At the Place of Crossed Sight is set in Porto Alegre, Brazil. Based on researches revolving around several photographers who had lived and worked or briefly stayed in the city, the artist created a series of works combining factual materials and fictional narrations. Through the study and depiction of the characters’ individual experiences, the project intends to explore the complex relations be- tween various elements such as photographers, photographs, cities, migration, memory within the progression of the history of photography.<span class="Apple-converted-space"> </span></h6>
<h6>The project consists of two main parts: a novel that comprises of a collection of short stories, and a series of photographic works with intertextual relation to the novel. At the Place of Crossed Sights (Part one) consists of the following 5 chapters: 1. A Letter Written in 1975; 2. T’s Photo Album; 3.Three Fragments Related to an “Exotic China” (Excerpts from Y’s travel diary); 4. A Piece of Writing Based on a Murder Case in 1863 (A Novelist’s Thoughts on Photography); 5. Photographers and Strangers.<span class="Apple-converted-space"> </span></h6>

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		<title>日常的神秘｜Daily Myths</title>
		<link>https://www.lukayangworks.com/portfolio-item/daily-myths/</link>
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		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Mon, 01 Feb 2021 14:06:10 +0000</pubDate>
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					<description><![CDATA[日常的神秘（系列），2009-2012，摄影
Daily Myths (series), 2009-2012, Photography]]></description>
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			<h2><strong>日常的神秘（系列），<i>2009-2012</i>，摄影</strong></h2>
<h5><strong><i>Daily Myths (series), 2009-2012, Photography</i></strong></h5>

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		<title>无定河｜The River of Uncertainties</title>
		<link>https://www.lukayangworks.com/portfolio-item/the-river-of-uncertainties/</link>
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		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Mon, 01 Feb 2021 14:00:06 +0000</pubDate>
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					<description><![CDATA[永定河故名无定河，因在历史上曾发生过多次水灾，故得此名。“可怜无定河边骨，犹是深闺梦里人。”这是晚唐诗人陈陶《陇西行》中非常知名的两句。永定河的河龄已有300万岁的年纪，故被称为北京的母亲河。它位于北京的西部，跨越了海淀（西）、石景山、丰台等区，虽然它并没有流经北京的心脏，但它和每一个在北京西边儿长大的孩子的童年都息息相关。]]></description>
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			<h2><strong>《无定河》（系列）</strong></h2>
<h5><strong><i>The River of Uncertainties (series), 2011-2012, photography</i></strong></h5>

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			<h5><strong>《无定河》（系列），<i>2011-2012</i>，摄影</strong></h5>
<p>永定河故名无定河，因在历史上曾发生过多次水灾，故得此名。“可怜无定河边骨，犹是深闺梦里人。”这是晚唐诗人陈陶《陇西行》中非常知名的两句。永定河的河龄已有300万岁的年纪，故被称为北京的母亲河。它位于北京的西部，跨越了海淀（西）、石景山、丰台等区，虽然它并没有流经北京的心脏，但它和每一个在北京西边儿长大的孩子的童年都息息相关。</p>
<p>2009年，北京市政府决心整治已断流30年的永定河，目标一个是使这条因人类过度使用而断流的河流重新有水，同时将在河道内外进行大规模整治 ，将永定河修筑成一条人工景观河。2011年，我开始记录这条河流的改造过程。</p>
<p>让我来讲拍摄其中一张照片的体验吧：那张照片拍摄于京港高速大桥下方的河道上，当时工人们正集体在河床上午休。我被一座桥柱上大篇幅的文字吸引，由于书写者使用了大量的方言，且夹杂很多错误书写，导致非常难以阅读。然而可以确定的是，书写者是在坎坷的遭遇后写下这些文字，字里行间渗透出深切的怨恨与苦楚。一个工人醒来后，我问他：“请问你知道桥柱上这些字的来历吗？” 工人说：“不知道，只知道已经在这儿好久了。”我又问：“那能告诉我这块的河床什么时候会被人工填水吗？” 工人和我说：“明天。”</p>
<p>于是我拍下了这张照片。两周后，当我再次来到这一河段时，发现照片上的一切都已经被淹没在水下，这些文字以及来自这未知书写者的怨恨，终有一天会被河水冲淡直至消逝…… 我远远的站在河边，看着桥柱高处露出的仅剩的三两行字，又按下了一次快门。</p>
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<h5><strong>「T<i>he River of Uncertainties」 (series), 2011-2012, photography</i></strong></h5>
<p><i>Yong Ding River (it means ‘the river of permanency’ in Chinese) flows through half of Beijing, it was once called Wu Ding River (Chinese meaning ‘the river of uncertainty’) because of the numerous floods happened in history. The age of the river is more than 3 million years, hense it’s been called the mother river of Beijing. The river is not a widely considered ‘beautiful’, however it is a very special river since it witnesses all the changes happened in the history of Beijing.<span class="Apple-converted-space"> </span></i></p>
<p><i>In 2009, the council of Beijing has decided to reconstruct Yong Ding River that has been exhausted for almost 30 years, the aim is to bring the river back to life, and to change it into the largest man-made river park in Beijing.</i></p>
<p><i>So I started to take photographs along the river before it’s fully constructed. By documenting the residents and changing landscapes along the river, I was trying to reflect the particularity of the current stage in the history of China. Slowly I realize I’m not only documenting the now. It is more like a journey through two parallel times – the now and a mysterious past.<span class="Apple-converted-space"> </span></i></p>

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		<title>在沉船上｜On The Shipwreck</title>
		<link>https://www.lukayangworks.com/portfolio-item/on-the-shipwreck/</link>
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		<dc:creator><![CDATA[yuanyuan]]></dc:creator>
		<pubDate>Sun, 31 Jan 2021 17:05:39 +0000</pubDate>
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					<description><![CDATA[「On The Shipwreck」

2013-2017, mixed media

On The Shipwreck began in November 2013 with a series of performances conducted at an abandoned office building located on the outskirts of Beijing; the project finished in 2017 after the destruction of the building. The project is divided into five parts: Arrival (2013), Conversation (2013-2014), Bus Route 586 (2014-2016), Towards Epilogue (2015-2016) and Disappearance of the Shipwreck (2016-2017). The project is presented as a mixed-media archive that includes photography, video and text. The central idea is to explore the complex relationship between the individual and the city surroundings within the current dynamic social environment.]]></description>
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		Exhibition Views	</h4>

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		抵达｜Arrived（2013）	</h4>

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		对话｜Conversation (2013-2014)	</h4>

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		586路公交车｜Bus route 586 (2014-2016)	</h4>

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		接近尾声｜Towards Epilogue（2015-2016）	</h4>

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		沉船的消失｜ Disappearance of the Shipwreck (2016-2017)	</h4>

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			<h4><strong>《在沉船上》</strong></h4>
<p><strong>2013-2017，混合媒介</strong></p>
<p>《在沉船上》起始于我在2013年底于京郊一处废弃办公室展开的一系列行为，该长期项目在2017年以建筑的拆除划上句号。项目被划分为 “抵达”（2013）、”对话”（2013-2014）、”586路公交车”（2014-2016）、“接近尾声”（2015-2016）、“沉船的消失” （2016-2017）五个阶段，通过融合摄影、录像、文字的文献形式，意图探讨个体与城市空间之间多元而复杂的关系。</p>
<h4><strong>「On The Shipwreck」</strong></h4>
<p><strong>2013-2017</strong><strong>, mixed media</strong></p>
<h6>On The Shipwreck began in November 2013 with a series of performances conducted at an abandoned office building located on the outskirts of Beijing; the project finished in 2017 after the destruction of the building. The project is divided into five parts: Arrival (2013), Conversation (2013-2014), Bus Route 586 (2014-2016), Towards Epilogue (2015-2016) and Disappearance of the Shipwreck (2016-2017). The project is presented as a mixed-media archive that includes photography, video and text. The central idea is to explore the complex relationship between the individual and the city surroundings within the current dynamic social environment.</h6>

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