在克拉科夫的十日

10 Days in Kraków

《在克拉科夫的十日》，2014，书，摄影

尺寸／185 x 260 x 20mm
规格／168页，布面精装
限量／500本，全部编号
2014年12月，假杂志出版

《在克拉科夫的十日》以一种介于旅行笔记和手札之间的形式呈现。尽管这本书并没有目录，但是书的整体结构实际包含了三个隐形的章节，它们被构架在看似零散的排版形式之上——1.战争；2.城市；3.联结（从彼处到此处／从我到你）。书中所出现的素材包括我在克拉科夫逗留的10天之内留下的快照、手记以及收集的老照片，以及对于三件既存作品的引用（电影截图以及文字摘录）。这三件作品包括：《空中杀手》（2008年，导演：押井守）、《看不见的城市》（作者：卡尔维诺）以及《我略知她一二》（1967，导演：戈达尔）。对于三件既存作品的引用划分出了这三个隐形章节的框架。来自三个不同年代与背景的既存作品与我在克拉科夫10天之内所搜集的素材交织在一起，它们之间的关系时而紧密交织，时而又相对松散。通过排版与排列的节奏调和，这些素材逐渐在书中编织出一条模糊而开放的叙事。

「10 Days in Kraków」, 2014, book, photography

Size: 185 x 260 x 20mm
168 pages, Clothbound Hardcover
First Edition: 500, all numbered
Published by Jiazazhi in December 2014

10 Days in Kraków is presented in the form between a travelogue and a scrapbook. Although the book doesn’t have a content page, within the seemingly fragmented structure, three chapters unfold themselves – War, City, and Connection (from there to here / from I to you). The book consists of snapshots, diaries and found images I created or collected during my 10 days stay in the city, as well as fragments (film stills and text excerpts) from three existing works: The Sky Crawlers (2008, directed by Mamoru Oshii), Invisible Cities (written by Italo Calvino) and 2 or 3 Things I Know about Her (1967, directed by Jean-Luc Godard). The appropriation of three existing works also distinguishes the three-chapter structure of the book. The fragments from three works that created at different times and backgrounds are carefully intertwined with the materials I collected in Kraków during the 10 days. These elements sometimes mingle intensively, while other times, structured relatively loosely. Mediated by the rhythm of editing and sequencing, the fragments gradually weaved out a vague and open narrative.

胎记

Birthmarks

《胎记》（系列）， 综合材料 , 尺寸不等

作为皮肤上难以抹除的独特印记，胎记通常被视为代表个体特殊性的符号。在《胎记》项目中，艺术家将100个搜集自世界各地的胎记形状提取，将这些本不可复制的形状转移至新的载体，并围绕这些图像展开创作。项目如同一份与胎记有关的虚构档案。其中，多组由摄影、版画、插画、文字、设计等创作语言构成的物件，彼此交织构成一系列与身份、复制、印记、 伤痕、巧合、地理、种族、战争、神话等多个话题相关的叙事。

Birthmarks(series), mixed media, size variable

As a unique and non-removable mark on skin, a birthmark is usually considered a symbol of individuality. In the ongoing project Birthmarks, the artist extracts the shapes of birthmarks she collected worldwide, transfers the shapes to new surfaces and creates works based on these images. The project is similar to a fictional archive relating to birthmarks. It consists of various works created with methods such as photography, printmaking, illustration, text and design; these works interweave with each other and lead to a series of narratives relating to topics such as identity, copying, marks/traces, wounds, chance, geography, ethnicity, war and mythology.